Periodicals > The Bulletin > Vol. 65, No. 2
| Name: | The Nakedness of Noah |
| Authors: | Quinn, Tom |
| Indexed Date: | 12 Oct. 2024 |
| Index Status: | Complete |
| Original Language: | English |
| Genre: | Non-Fiction |
| Citation: | Quinn, Tom. “The Nakedness of Noah.” The Bulletin, Vol. 65, No. 2, Feb. 2016, p. 15, https://www.aanr.com/member-benefits |
Summary
Michelangelo, known for his disinterest in textiles, preferred to depict people as nude in his art, as seen in his proposal for a more ambitious fresco in the Sistine Chapel. The distinction between being naked and being nude is also highlighted, as illustrated in Michelangelo's interpretation of the Drunkenness of Noah painting.